I was very intimate with Whitley (Rev. C. Whitley, Hon. Canon of Durham, formerly Reader in Natural Philosophy in Durham University.), who was afterwards Senior Wrangler, and we used continually to take long walks together. He inoculated me with a taste for pictures and good engravings, of which I bought some. I frequently went to the Fitzwilliam Gallery, and my taste must have been fairly good, for I certainly admired the best pictures, which I discussed with the old curator. I read also with much interest Sir Joshua Reynolds' book. This taste, though not natural to me, lasted for several years, and many of the pictures in the National Gallery in London gave me much pleasure; that of Sebastian del Piombo exciting in me a sense of sublimity.

I also got into a musical set, I believe by means of my warm-hearted friend, Herbert (The late John Maurice Herbert, County Court Judge of Cardiff and the Monmouth Circuit.), who took a high wrangler's degree. >From associating with these men, and hearing them play, I acquired a strong taste for music, and used very often to time my walks so as to hear on week days the anthem in King's College Chapel. This gave me intense pleasure, so that my backbone would sometimes shiver. I am sure that there was no affectation or mere imitation in this taste, for I used generally to go by myself to King's College, and I sometimes hired the chorister boys to sing in my rooms. Nevertheless I am so utterly destitute of an ear, that I cannot perceive a discord, or keep time and hum a tune correctly; and it is a mystery how I could possibly have derived pleasure from music.

My musical friends soon perceived my state, and sometimes amused themselves by making me pass an examination, which consisted in ascertaining how many tunes I could recognise when they were played rather more quickly or slowly than usual. 'God save the King,' when thus played, was a sore puzzle. There was another man with almost as bad an ear as I had, and strange to say he played a little on the flute. Once I had the triumph of beating him in one of our musical examinations.

But no pursuit at Cambridge was followed with nearly so much eagerness or gave me so much pleasure as collecting beetles. It was the mere passion for collecting, for I did not dissect them, and rarely compared their external characters with published descriptions, but got them named anyhow. I will give a proof of my zeal: one day, on tearing off some old bark, I saw two rare beetles, and seized one in each hand; then I saw a third and new kind, which I could not bear to lose, so that I popped the one which I held in my right hand into my mouth. Alas! it ejected some intensely acrid fluid, which burnt my tongue so that I was forced to spit the beetle out, which was lost, as was the third one.

I was very successful in collecting, and invented two new methods; I employed a labourer to scrape during the winter, moss off old trees and place it in a large bag, and likewise to collect the rubbish at the bottom of the barges in which reeds are brought from the fens, and thus I got some very rare species. No poet ever felt more delighted at seeing his first poem published than I did at seeing, in Stephens' 'Illustrations of British Insects,' the magic words, "captured by C. Darwin, Esq." I was introduced to entomology by my second cousin W. Darwin Fox, a clever and most pleasant man, who was then at Christ's College, and with whom I became extremely intimate. Afterwards I became well acquainted, and went out collecting, with Albert Way of Trinity, who in after years became a well-known archaeologist; also with H. Thompson of the same College, afterwards a leading agriculturist, chairman of a great railway, and Member of Parliament. It seems therefore that a taste for collecting beetles is some indication of future success in life!

I am surprised what an indelible impression many of the beetles which I caught at Cambridge have left on my mind. I can remember the exact appearance of certain posts, old trees and banks where I made a good capture.

Charles Darwin

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