Bell remarks that, at the approach of sleep, or of a fainting-fit, or of death, the pupils are drawn upwards and inwards; and he believes that "when we are wrapt in devotional feelings, and outward impressions are unheeded, the eyes are raised by an action neither taught nor acquired." and that this is due to the same cause as in the above cases.[26] That the eyes are upturned during sleep is, as I hear from Professor Donders, certain. With babies, whilst sucking their mother's breast, this movement of the eyeballs often gives to them an absurd appearance of ecstatic delight; and here it may be clearly perceived that a struggle is going on against the position naturally assumed during sleep. But Sir C. Bell's explanation of the fact, which rests on the assumption that certain muscles are more under the control of the will than others is, as I hear from Professor Donders, incorrect. As the eyes are often turned up in prayer, without the mind being so much absorbed in thought as to approach to the unconsciousness of sleep, the movement is probably a conventional one-- the result of the common belief that Heaven, the source of Divine power to which we pray, is seated above us.
[24] `The Descent of Man,' vol. ii. p. 336.
A humble kneeling posture, with the hands upturned and palms joined, appears to us, from long habit, a gesture so appropriate to devotion, that it might be thought to be innate; but I have not met with any evidence to this effect with the various extra-European races of mankind. During the classical period of Roman history it does not appear, as I hear from an excellent classic, that the hands were thus joined during prayer. Mr. Rensleigh Wedgwood has apparently given[27] the true explanation, though this implies that the attitude is one of slavish subjection. "When the suppliant kneels and holds up his hands with the palms joined, he represents a captive who proves the completeness of his submission by offering up his hands to be bound by the victor. It is the pictorial representation of the Latin _dare manus_, to signify submission." Hence it is not probable that either the uplifting of the eyes or the joining of the open hands, under the influence of devotional feelings, are innate or truly expressive actions; and this could hardly have been expected, for it is very doubtful whether feelings, such as we should now rank as devotional, affected the hearts of men, whilst they remained during past ages in an uncivilized condition.
[25] Dr. Mandsley has a discussion to this effect in his `Body and Mind,' 1870, p. 85.
[26] `The Anatomy of Expression,' p. 103, and `Philosophical Transactions,' 1823, p. 182.
[27] `The Origin of Language,' 1866, p. 146. Mr. Tylor (`Early History of Mankind,' 2nd edit. 1870, p. 48) gives a more complex origin to the position of the hands during prayer. CHAPTER IX.
REFLECTION--MEDITATION-ILL-TEMPER--SULKINESS--DETERMINATION.
The act of frowning--Reflection with an effort, or with the perception of something difficult or disagreeable-- Abstracted meditation--Ill-temper--Moroseness--Obstinacy Sulkiness and pouting--Decision or determination--The firm closure of the mouth.
THE corrugators, by their contraction, lower the eyebrows and bring them together, producing vertical furrows on the forehead--that is, a frown. Sir C. Bell, who erroneously thought that the corrugator was peculiar to man, ranks it as "the most remarkable muscle of the human face. It knits the eyebrows with an energetic effort, which unaccountably, but irresistibly, conveys the idea of mind." Or, as he elsewhere says, "when the eyebrows are knit, energy of mind is apparent, and there is the mingling of thought and emotion with the savage and brutal rage of the mere animal."[1] There is much truth in these remarks, but hardly the whole truth. Dr. Duchenne has called the corrugator the muscle of reflection;[2] but this name, without some limitation, cannot be considered as quite correct.
[1] `Anatomy of Expression,' pp.