When the head droops forward, as often occurs with a man absorbed in thought, owing to the general relaxation of his muscles, if the plane of vision be still horizontal, the eyes are necessarily a little turned upwards, and then the divergence is as much as 3'0, or 3'0 5': if the eyes are turned still more upwards, it amounts to between 6'0 and 7'0. Professor Donders attributes this divergence to the almost complete relaxation of certain muscles of the eyes, which would be apt to follow from the mind being wholly absorbed.[6] The active condition of the muscles of the eyes is that of convergence; and Professor Donders remarks, as bearing on their divergence during a period of complete abstraction, that when one eye becomes blind, it almost always, after a short lapse of time, deviates outwards; for its muscles are no longer used in moving the eyeball inwards for the sake of binocular vision.

[6] Gratiolet remarks (De la Phys. p. 35), "Quand l'attention est fixee sur quelque image interieure, l'oeil regarde dqns le vide et s'associe automatiquement a la contemplation de l'esprit." But this view hardly deserves to be called an explanation.

Perplexed reflection is often accompanied by certain movements or gestures. At such times we commonly raise our hands to our foreheads, mouths, or chins; but we do not act thus, as far as I have seen, when we are quite lost in meditation, and no difficulty is encountered. Plautus, describing in one of his plays[7] a puzzled man, says, "Now look, he has pillared his chin upon his hand." Even so trifling and apparently unmeaning a gesture as the raising of the hand to the face has been observed with some savages. Al. J. Mansel Weale has seen it with the Kafirs of South Africa; and the native chief Gaika adds, that men then "sometimes pull their beards." Mr. Washington Matthews, who attended to some of the wildest tribes of Indians in the western regions of the United States, remarks that he has seen them when concentrating their thoughts, bring their "hands, usually the thumb and index finger, in contact with some part of the face, commonly the upper lip." We can understand why the forehead should be pressed or rubbed, as deep thought tries the brain; but why the hand should be raised to the mouth or face is far from clear.

_Ill-temper_.--We have seen that frowning is the natural expression of some difficulty encountered, or of something disagreeable experienced either in thought or action, and he whose mind is often and readily affected in this way, will be apt to be ill-tempered, or slightly angry, or peevish, and will commonly show it by frowning. But a cross expression, due to a frown, may be counteracted, if the mouth appears sweet, from being habitually drawn into a smile, and the eyes are bright and cheerful. So it will be if the eye is clear and steady, and there is the appearance of earnest reflection. Frowning, with some depression of the corners of the mouth, which is a sign of grief, gives an air of peevishness. If a child (see Plate IV., fig. 2)[8] frowns much whilst crying, but does not strongly contract in the usual manner the orbicular muscles, a well-marked expression of anger or even of rage, together with misery, is displayed.

[7] `Miles Gloriosus,' act ii. sc. 2.

If the whole frowning brow be drawn much downward by the contraction of the pyramidal muscles of the nose, which produces transverse wrinkles or folds across the base of the nose, the expression becomes one of moroseness. Duchenne believes that the contraction of this muscle, without any frowning, gives the appearance of extreme and aggressive hardness.[9] But I much doubt whether this is a true or natural expression. I have shown Duchenne's photograph of a young man, with this muscle strongly contracted by means of galvanism, to eleven persons, including some artists, and none of them could form an idea what was intended, except one, a girl, who answered correctly, "surely reserve." When I first looked at this photograph, knowing what was intended, my imagination added, as I believe, what was necessary, namely, a frowning brow; and consequently the expression appeared to me true and extremely morose.

Charles Darwin

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