In the 'Academy,' 1876 (pages 562, 587), appeared a review of Mr. Mivart's 'Lessons from Nature,' by Mr. Wallace. When considering the part of Mr. Mivart's book relating to Natural and Sexual Selection, Mr. Wallace says: "In his violent attack on Mr. Darwin's theories our author uses unusually strong language. Not content with mere argument, he expresses 'reprobation of Mr. Darwin's views'; and asserts that though he (Mr. Darwin) has been obliged, virtually, to give up his theory, it is still maintained by Darwinians with 'unscrupulous audacity,' and the actual repudiation of it concealed by the 'conspiracy of silence.'" Mr. Wallace goes on to show that these charges are without foundation, and points out that, "if there is one thing more than another for which Mr. Darwin is pre-eminent among modern literary and scientific men, it is for his perfect literary honesty, his self-abnegation in confessing himself wrong, and the eager haste with which he proclaims and even magnifies small errors in his works, for the most part discovered by himself."
The following extract from a letter to Mr. Wallace (June 17th) refers to Mr. Mivart's statement ('Lessons from Nature,' page 144) that Mr. Darwin at first studiously disguised his views as to the "bestiality of man":--
"I have only just heard of and procured your two articles in the Academy. I thank you most cordially for your generous defence of me against Mr. Mivart. In the 'Origin' I did not discuss the derivation of any one species; but that I might not be accused of concealing my opinion, I went out of my way, and inserted a sentence which seemed to me (and still so seems) to disclose plainly my belief. This was quoted in my 'Descent of Man.' Therefore it is very unjust,...of Mr. Mivart to accuse me of base fraudulent concealment."
The letter which here follows is of interest in connection with the discussion, in the 'Descent of Man,' on the origin of the musical sense in man:]
CHARLES DARWIN TO E. GURNEY. (Author of 'The Power of Sound.') Down, July 8, 1876.
My dear Mr. Gurney,
I have read your article ("Some disputed Points in Music."--'Fortnightly Review,' July, 1876.) with much interest, except the latter part, which soared above my ken. I am greatly pleased that you uphold my views to a certain extent. Your criticism of the rasping noise made by insects being necessarily rhythmical is very good; but though not made intentionally, it may be pleasing to the females from the nerve cells being nearly similar in function throughout the animal kingdom. With respect to your letter, I believe that I understand your meaning, and agree with you. I never supposed that the different degrees and kinds of pleasure derived from different music could be explained by the musical powers of our semi-human progenitors. Does not the fact that different people belonging to the same civilised nation are very differently affected by the same music, almost show that these diversities of taste and pleasure have been acquired during their individual lives? Your simile of architecture seems to me particularly good; for in this case the appreciation almost must be individual, though possibly the sense of sublimity excited by a grand cathedral, may have some connection with the vague feelings of terror and superstition in our savage ancestors, when they entered a great cavern or gloomy forest. I wish some one could analyse the feeling of sublimity. It amuses me to think how horrified some high flying aesthetic men will be at your encouraging such low degraded views as mine.
Believe me, yours very sincerely, CHARLES DARWIN.
[The letters which follow are of a miscellaneous interest. The first extract (from a letter, January 18, 1874) refers to a spiritualistic seance, held at Erasmus Darwin's house, 6 Queen Anne Street, under the auspices of a well-known medium:]
"...We had grand fun, one afternoon, for George hired a medium, who made the chairs, a flute, a bell, and candlestick, and fiery points jump about in my brother's diningroom, in a manner that astounded every one, and took away all their breaths.